Originally Posted by
sarabhanga
Namaste Sudarshan,
catuSpAd (or catuSpad) means “quadruped”, “having made four steps or divided into four parts”, or “having four staffs or consisting of four processes”.
pad means “to stand fast or fixed”, “to fall, fall down or out, or perish”, or “to go, resort or apply to, participate in, keep, or observe”.
pad (or pAd) indicates “a foot, on foot, or sticking to the feet”, “a step”, or “a fourth part, a quarter or quadrant”.
catuSpAd indicates a fourfold footing, stance, or foundation; four “outfalls” or expressions; four ways to go (and thus an intersection or crossing point); four resorts; four applications, modes of participation, or aspects of observance or appearance; four sites or four sights.
catuSpAd indicates four feet or steps, or a fourth part of one whole ~ and thus four quarters or cardinal directions ~ the four corners and four pillars (or beams) ~ four rays of light that are considered as the feet of a heavenly body .
pada indicates “a step, pace, or stride”, “a footstep, trace, vestige, mark, or the foot itself”, “a sign, token, or characteristic”, “a footing, standpoint, position, rank, station, site, abode, or home”, “a business affair, matter, object or cause of”, “a pretext”, or “a part, portion, or division” (e.g. ekapada, dvipada, tripada, catuSpada, etc.), “a square on a chess-board, a plot of ground, or the foot as a measure of length”, “a ray of light”, “a portion of a verse, quarter or line of a stanza”, “any one in a set of numbers, the sum of which is required”, or “a square root”.
pada represents “a foot”, while pAda (more directly) represents “the foot”.
pAda is “the foot (of men and animals)”, “the foot or leg of an inanimate object”, “a column or pillar”, “a wheel”, “a foot as a measure”, “the foot or root of a tree”, “the foot of a mountain, or a hill at the foot of a mountain”, “the base”, “a ray or beam of light (considered as the foot of a heavenly body)”, “a quarter, a fourth part (the fourth of a quadruped being one out of four)”, “the quadrant (of a circle)”, “a verse or line (as the fourth part of a regular stanza)”, or “the chapter of a book or section of a book consisting of four parts”.
The collective plural pAdAH indicates “the four parts” (i.e. all things required for completion of the whole).
sarvaM hyetad brahmAyamAtmA brahma so.ayamAtmA catuSpAd |2|
All this is verily Brahman; this Atman is Brahman; this Atman is quadruped (i.e. having four steps or understandings).
The Upanishad reveals that three of these understandings are associated with division, while the fourth stands undivided and alone.
There are three fundamental phases of manifest existence ~ as a solid, a liquid, or a gas ~ and yet there is only one elemental essence that stands firm and untouched (unmanifest and never changed in its true nature, despite all outward appearances).
The three stages of manifest reality are the three steps or footprints of Vishnu ~ i.e. the earth, the air, and the sky ~ and all of these are ultimately situated in “the space between the eyebrows”.
The fourth stage of unmanifest and ultimate reality is Aja Ekapad ~ the Shivadvaita Turiya.
Vishva and Taijasa and Prajna are aspects of Nara-Narayana; whereas the Turiya aspect is the one and only, unimaginable and unnameable Lord “Rudra Shiva”.
The one Brahman is divided as Narayana, and simultaneously undivided as Shiva.
Kala Brahman is known as Krishna or Vishnu, and Akala Brahman is known as Mahakala or Shiva.
The Turiya Pada is defined as being unmanifest, and so the four Padas can NOT all be considered as “manifestations” of Atman.
The three steps of Vishnu (Vishva, Taijasa, and Prajna) are the very form of Maya or Prakriti (Tamas, Rajas, and Sattva) ~ as I have already explained.
Shri Lakshmi is the Shakti (primary power or “weapon” of Vishnu) and Shri Devi is Maya.
Narayana Vishnu is fully expressed in the Trimurti, the Trikona, and the Three Qualities, Qualifications, Distinctions, or Conditions (i.e. the Three Gunas).
The mystery behind creation and manifestation belongs to Narayana Vishnu; while the mystery behind immortality and non-manifestation (invisibility or destruction) belongs to Rudra Shiva.
Advaita considers all three of the “forked” understandings as relative Avidya, with Turiya alone standing for all eternity as the ultimate and only true Vidya.
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