Re: shrI Shankara charitam: exposition by KAnchi ParamAchArya
pages 389-392
The long upadesham--teaching, that BhIShma pitAmaha, lying on the sharakkUDu--bed of arrows, gives Dharmaputra occurs in MahAbhArata in two parvas, as shAnti parva and anushAsana parva.
• In that teaching, the two--pAncharAtram and pAshupatam--which are bhakti-upAsana matas--devotional religious sects,
and the other two--the sAMkhyam that remains as a tattva-shAstram--philosophical scripture, and the yoga that teaches a sAdhanam--means of inquiry, in kriyA-rUpam--form of action, on the basis of the sAMkhya tattvas--
that is, these four religious sects are separated from the Vedas and mentioned as different matas.
• It is mentioned there as sAMkhyam yogaH pAnchArAtram vedAH pAshupatam tathA. That is, 'sAMkhyam, yogam, pAnchArAtram, Vedas, pAshupatam--these five matas', is how it occurs there. If the Vedas are one of the five matas, it only means that the other four are not related to the Veda matam?
• In (MahA)bhAratam itself, in another place, yoga is mentioned using the name of Patanjali, the mUla-puruSha--founder, of that matam, as 'pAtanjalam'. It is mentioned in spaShTam--with clarity, as nAnA matAni--different religious sects.
• There is one text known as shiva mahimna stotram. Done by PuShpadatta. It is a very ancient stotram--hymn. One which is very prasiddha--well known, in the vaDa-desham--North India. In that (stotram) too, in this same manner, vedam, sAMkhyam, yogam, pAshupatam, vaiShNavam are mentioned as different matas.
त्रयी सांख्यं योगः पशुपतिमतं वैष्णवमिति प्रभिन्ने प्रस्थाने
trayI sAMkhyaM yogaH pashupatimataM vaiShNavamiti prabhinne prasthAne
--shiva mahimna stotram, 7
'trayI' means the Vedas. That is one matam--religious sect. 'sAMkhyam' is another matam. 'yogam'--that too is one matam, separately. 'pashupatimatam' is the pAshupatam that refers to SivaperumAn. That is also one matam. Finally, another is 'vaiShNavam'. These are mentioned as 'prasthAnas' that are 'prabhinna'--'mArgas--paths, that are different from each other' is the meaning.
There is great value for thus being mentioned in (MahA)bhAratam and shiva mahimna stotram.
• The story of BhAratam is one that goes in consonance with the story of KRShNa-paramAtman who is ViShNu avatAram. HarivaMsham, which remains as the anubandham--supplement of BhAratam, is one that speaks elaborately about shrI KSRhNa charitram--life.
Nevertheless, when the tantra called pAnchArAtram was done-anuShThAna-of--practised, as only referring to ViShNu, in virodham--opposition, to the samarasya-bhAvam--perception of equality, of the Vedas, belittling the other deivams--gods, and in contrary to the shruti-sMRti AcharaNa--practice,
BhAratam has mentioned it as a samayam--religion, which is external to the Vedas.
• In this same manner is the mention of the pashupati matam as an external samayam to the Vedas, in the 'shiva mahimna stotram', although it arose to speak only about Shiva mahimas--greatness.
As there is a satya-pramANam--testimony of truth, for mahAkavai-vAk--words of great poets, I shall narrate one such on this subject.
• One who obtained the gauravam--honour, of paNDita-samUham--society of scholars, is shrI HarSha kavi--poet. Those who do not have pANDityam--scholarship, cannot understand his pustakas--books. He had written the NaLa-charitram--life story of King NaLa, giving it the name NaiShadham.
• DamayantI svayamvara--self-choosing groom, scene in that text. NaLan has come to the svayamvara maNDapam--pavilion. Between him and DamayantI, parapara-prema--mutual love. So, she would only garland him.
• In this scene, as enhancing the kAvyach-chuvai--(Tamizh) epic sensibility, something puzzling happens in the 'NaiShadham' as in the case of the present day mystery/suspense stories. That is, instead of one NaLa, five NaLas are seated adjacent to each other!
• Only one of them is the (real) NaLan. The other four are Agni, Yama, VaruNa and Indra, who have come in disguise, tatrUpam--in the exact form, of him. DamayantI goes astonished as to who among those five men is the nija--real, NaLan.
Only when narrating this incident, Kavi (shrI HarSha) brings in the viShayam--subject, we were looking at. He brings it in the form of an upamAnam--simile.
• He says: "Just as bhramippu--(Tamizh) amazement/confusion, arises when Advaita, which is the real Veda matam, and the other four matas sAMkhyam, yogam, pAshupatam and pAnchArAtram, which wear the same Vedic disguise, are together,
when she looked at the four Devas in NaLa-veSham--NaLa's disguise, sitting with the nija NaLa, DamayantI went bhramita--astonished in confusion, as to who was the real NaLa among these five men."
panchama kOti mAtre ... matAnAm advaita tattva iva satya tarepi loka
In this manner at that time, in our desham--country, since time anAdi--beginningless, as there was belief among the majority of the panDita-pAmara--scholarly and ordinary, that only veda-vAk--words of the Vedas, was the Ishvara vAk--God's words, which is satyam--truth,
in vAstavam--reality, several matas which had avaidika principles and (the related) kriyA-kalApa--package of acts, were such as to describe themselves as only vaidika matas and attract people. Some among these attracted the learned, as being philosophical; and some as being deiva upAsana--divine worship, attracted the public.
• Not that all the upAsana mArgas were like this. There were also upAsana, that had arisen as vaidika in vAsatavam--reality, for each svAmi--god; but these had lost their lustre.
• Only those tantras which had remained avaidika but were in vaidika disguise were largely in prasAram--propaganda.
• Another thing should be mentioned here. There were also aneka--many, tantras in prasAram which declared, "What great authority are the Vedas? More than the Vedas, only the Agamas (that is, tantras that are upAsana mArgas) are the authority. Only this is what ParamAtman himself had done upadesham--teaching, and sthApana--establishment, of."
Is not the unique honour of the Veda matam is that it was established by BhagavAn himself?
• Whereas when some people said 'Only our tantra is what BhagavAn established', and wrote and showcased the kathA-purANas for that also,
and in addition, relaxing the adhikAra-bheda--differential ranks of the Vedas, created the shaTangas--rituals, to cater to the emotional tastes of people, many went after them with the curious intention of trying them.
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रत्नाकरधौतपदां हिमालयकिरीटिनीम् ।
ब्रह्मराजर्षिररत्नाढ्यां वन्दे भारतमातरम् ॥
To her whose feet are washed by the ocean, who wears the Himalayas as her crown, and is adorned with the gems of rishis and kings, to Mother India, do I bow down in respect.
--viShNu purANam
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